The description of what kind of stories a particular magazine is seeking:
"We are looking for tattered stories, stories constructed with broken glass and bird bones. We are looking for stories that are mirrors, facing each other and wrapped in velvet. We want stories that are industrial, post industrial, wastelands, puns, allegories, and
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Maybe if they'd stop looking for stories constructed of broken glass and bird bones and started looking for stories constructed of plot and character they'd be able to interest some customers in buying their rag.
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I knew so many people who I could tell were going to grow up to be like this in my fancy-pantsy art high school thingy. Happily, it seems like most of them got a reality check and turned out relatively normal. The ones I've reconnected with so far, anyway.
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I might have to try that. I don't know - do you think I can make a story with teeth that is also constructed of wire and bones? Usually I construct my stories with words.
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Argh. What idiots. Every damn publisher and magazine out there demands that you ONLY send what fits their magazine...fill your writer's guidelines with retarded metaphors and such, and you'll only get retarded crap as far as submissions.
These people sound like some film students...make something that seems all symbolic and DEEP to yourself, but means NOTHING - and makes no sense - to anyone else.
I hope one of them decides to use broken glass and alligators in lieu of a hemmhorroid suppository...
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