There is an odd smell here, not like the usual museum smells. It smells like sulfur. Could it be farts from antiquity? Would they save those? Could they save those?
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The little infant Christ looks so confident when he stands up. Belly thrust forward, two fingers in the air, he looks like a tiny anime superhero.
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There's this long, long hallway lined with paintings, and hundreds of people are milling through it, and I'm seized by deja vu. Where have I seen this before? Then I realize that the scene before me represents the common ground between the Louvre and Disneyland's Haunted Mansion.
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If you equate the world of spirituality and religion with the world of dreams, I think the classical painters were really the first Surrealists. All these paintings of realistic scenes with angels hovering above on clouds, whispering shit. Somehow I don't think either the Classicists or the Surrealists would be too happy with the comparison, though.
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There is a food court in the Louvre, and in its way the Louvre is the food court of museums. An immense obtuse arc of art from which you can select and sample a smorgasbord of city-states and siècles.
The above is my attempt at a Nabokov-ian alliteration. So far, I consider the peak experience of my Paris visit a post-Louvre interim at the Cafe de Comedie, completing a snack's-worth of transaction in my fledgling French (un café et un pain au chocolat; oui, café black*; c'est tout?; oui, un pain au chocolat; merci, au revoir) and reading Nabokov's Ada; a book which I now realize I've mispronounced in a great many crossword-puzzle solutions.
Tomorrow I head for Prague. I'm sorry I haven't been able to follow all of your suggestions: Absinthe is going to wait for Prague (where it's better and cheaper). I couldn't go everywhere people suggested, I spent too much time being lost instead. And Bree, I didn't take your suggestion, as it was unclear - was there a specific French girl you wanted me to fuck? I couldn't find Audrey Tautou.