Okay its like obligatory to write posts after events as far as I can tell, however this is mostly going to be egotistical ranting about methods of characterisation, so I'm interested in hearing from people about how they get into characters.
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Let me tell you a story about carving turkeys )
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Ultimately, she would probably share a drink with him because she thinks he's interesting, but would not want him to meet other people she knew.
Mind you, she doesn't really object to a bit of head-fuckery, like when he was trying to get the Opium dealers' names.
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Similarly I found Sophie interesting, I'd written her off initially as just some silly poet, then when you started showing people the san-effecty ruins and ponder hugging jellyfish I started to worry you were going to be trouble by being so enthusiastic and getting in the way of the debt collection by prying, however I think Scaithgrace ruled her out as a threat in the end as she didn't seem the type to dob him into the law, and I think he was hoping she'd just enjoy her encounter with scary types and use it as inspiration then they could go their separate ways.
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Malleable pasts (almost wrote pastas) are a valuable tool for characters to have, and I find they sometimes help drive and create the characters future or present actions, as I said sometimes its not clear to me what happened in their past until I need to rely on that part of them, then it crystallises and becomes formed.
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It kind of depends on who I'm trying to convay but generally what I quiet often fine is if I locate the part of myself which is reflected in them, open it up and see what happens.
Elizabeth was I guess the part of me which is the anti-social sit in my room and keep everybody else outside, the bit of me which is intensly private. I pull that bit up and out from whatever little box in my head it's lurking in and let it have reign and see what builds around it.
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Though some it's hard to identify the starting link once I look at the end character.
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