[Locked to RatBoy]

Jul 10, 2005 01:16

I keep dreaming about her.

I don't care what they say. They don't know anything.

She can't be dead. I would know if she was. I heard her in my dreams, calling out for me. So afraid and alone. She is not dead. She can't be. Not m-, not Callie. I would know ( Read more... )

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Comments 44

lexiromanov July 11 2005, 17:31:52 UTC
Alex's patterns are turned upside down lately, which is likely a good thing. He'd grown too predictable during his time with... during the last year. He's not sleeping in the same place more than two times in a row again. He's not traveling the same routes. He's not even taking the same doors in and out of Luxuria. His delight in showmanship and the front entrance has shifted to a desire for quietly slipping out the back delivery doors rolling his motorcycle alongside him.

ooc:If you want to play it out, I'm game. If not, feel free to delete this.

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mute_clay July 11 2005, 18:25:36 UTC
Patterns are only necessary if you are looking for them.

Randomness.

The play of light and shadow on the pavement. The senseless rustling of the wind, carrying paper and trash down the streets.

Waiting, leaning against a wall. Just waiting.

Empty inside. Patient.

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lexiromanov July 12 2005, 22:07:13 UTC
Alex's wits aren't so blunted that he doesn't pick up on the fact there is someone lurking in the back access lane-way, although he's not thrilled with the amount of time it took him to sense the presence. Still, it's time enough to slide up and over the bike so the heavy machinery is between him and the shadowed figure.

"Don't fuck with me. I'm not in the mood for it... and the guys monitering those security cameras up there are on my payroll, not your's." Alex's tone is snappish and annoyed.

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mute_clay July 13 2005, 01:34:14 UTC
Clay steps out of the shadow and smiles at the other man. The kind of smile that is no mirth and all teeth.

He looks tired. Worn. Not in the mood to be fucked with.

What a coincidence.

You!
He points at Alex, his back rigid and and his face still partly cast in shadow.
You.
The hand slowly turns till the curled fingers are facing up and then the fingers beckons, slowly. One, twice.
Come here.

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