1. The Mexican sequence at the end of On the Road. Amazing, amazing language. It makes you go into a trance. Some of Kerouac's stuff, and a lot of Beat stuff in general, is just typing (to paraphrase Truman Capote) but every once in a while, the writer's sheer power of psyche succeeds in hitting just the right combination of synapses with their
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The near end of Oddkins where Amos gets hurt in the fight against the evil toys...I cried.
Young Miles, about the middle where he's doing all his dual identity stuff. He's so freeking sly.
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2. "Death" in Winesburg, Ohio-- the best anything ever written about small town America
3. The ending of The Heart Is a Lonely Hunter by Carson McCullers, and then you realize just how isolated you really feel
4. "The Enchanted Mesa" by Willa Cather, especially when read aloud on a sandbar on a summer evening
5. Anything and everything in Invisible Cities by Italo Calvino
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but otherwise, sorry, I don't read.
Except when when Bane broke Batman's back and he became all miserly and cynical and stuff. That had to be one of the greatest moments ever.
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p.s. when males use the word "feminazi" it makes me want to castrate them. IRONY.
p.p.s. go to thailand.
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2. Opening of Lolita
3. Final stanza, "i sing of olaf glad and big," e.e. cummings
4. Party in "The Jelly-bean," Fitzgerald
5. The end of Harper's hallucination, Angels in America (Perestroika)
kto
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