Oct 27, 2011 16:23
mad world,
character: mercedes jones,
character: burt hummel,
character: carole hudson,
character: finn hudson,
character: blaine anderson,
glee fic,
characters: whole glee club,
character: kurt hummel,
characters: the hudson-hummel family
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Comments 14
Sorry, can't comment really...
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Does it help if I tell you that I think you're awesome for crying? Awkward sounding as it is, it is true - and I feel like I must thank you for it :)
*hugs* *hugs* *hugs* I love you and your tears!
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I'm still really curious about what's going on with Rachel and her mysteriousness. I wonder if it'll somehow involve her parents and something political/legal.
It just occurred to me. Because Ida's not part of a group, she doesn't have the same support system at school the way Kurt does. I wonder if anyone is visiting her to make sure she's okay. Because she's new, I can see her being forgotten.
Blaine's eyes went huge at that random segue,And that was a pretty awesome segue. LOL!!! Mercedes, love you ( ... )
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"I'm still really curious about what's going on with Rachel and her mysteriousness. I wonder if it'll somehow involve her parents and something political/legal." You are most definitely not wrong :)
"Because Ida's not part of a group, she doesn't have the same support system at school the way Kurt does. I wonder if anyone is visiting her to make sure she's okay. Because she's new, I can see her being ( ... )
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Okay, this bit of brilliancy first: " . . . So yeah, with Ida's return, I was a tiny bit worried that the story would suddenly become about her. But it didn't. I really love that she's so shy (like I was around that age), because her presence is important, but while she saved Kurt's life, she's not the narrative hero of the story." Your entire paragraph on the dangers and careful balancing act in writing an original character was so great, not only because ( ... )
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One remark I do believe to be objective: At the end, when everyone leaves, Mercedes stays and witnesses that entire moment between Kurt and Burt. She's pretty much irrelevant in the scene. The conversation is between the two men only. Kurt's asked her to stay, but he doesn't draw comfort from her except for one brief moment of hand-holding (her initiative, not his). She has a lot of feelings and thoughts, but they're all voiced by Burt, not her. And I'm thankful for that. I mean, it's a beautiful, beautiful father/son moment, I was terrified that she'd ruin it by speaking out of turn or interfering in any way. (Irony of ironies: she spent the chapter trying to be THE ONE for Kurt, and when she finally has the chance to speak her mind, she lets someone else do it.) Mercedes felt wrong being there witnessing such a personal moment, and to be honest, I felt that wrongness too, very deeply. Except that she needed to be there for one very pragmatic (and artificial) reason: she held the pov ( ... )
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Mercedes' mother was, understandably I think, putting her daughter first; however much she feels awful for Kurt, Mercedes' pain is her priority, the same way Kurt's problems are Burt's. But I'm sure later on, behind-the-scenes, there's discussions on how much is too much for Kurt.
"But a sad lesson for her is that she can't make up for everything she didn't do before by being everything he needs now. She's not, she can't be, and she's going to smother him if she tries. (Apparently, thankfully, she's realized that by the end of the chapter.)" That's it. Exactly. God, that's so damn perfect. You've just figured out/summed up her motivations for me, and I am so giving you full credit :D
"I honestly feel that specific moment - given what is discussed, the dynamic between the characters, the feelings both of them are revealing -- would have worked so much better if told from Burt's pov. But for that you'd have to change pov mid-chapter, which would jar with the overall structure of the story. A writer's ( ... )
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