Lovecraft, as any enthusiast knows, didn’t have the warmest or fuzziest feelings towards persons of different races. Also, though, enthusiasts know he married a Jewish woman. I don’t know precisely how Lovecraft felt on the topic, but I am fairly certain he didn’t feel quite as much ire as Benett Lovett-Graff seems to think he did in his paper “
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Also, if you have a need to look up a symbol (obscure or otherwise) in the future, I know where to find you some cool online visual dictionaries.
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However, I'm not sure he succeeded - or that it was the wisest choice. When you start working with a symbol that dense with meaning (particularly when one meaning has come to the historical front), like it or not, readers will interpret their own way. Which may not be your way. Which means, as writers, we have to be very careful working with symbols.
No, historically at Lovecraft's time, the swastika didn't have the significance it does today, but today's readers will interpret according to their own culture set.
The meaning of a work does change as the times around it change.
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Also does that mean Jesus was from Innsmouth?
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But as soon as he sees Joe Sargent and especially when he arrives in Innsmouth proper, the idea of racism left my head and the fish-frog supernatural elements filled in the "oddities" and "non-English" language references. Neck gills, non-blinking eyes, and big limbs aren't racist. Fishist maybe, but not racist.
Dave J
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