Wolfman Media tie in...missing...something

[narfnitsirk]

 Oh, Wolfman. I was so excited to see your movie last winter. It was technically perfect. Good cast, good effects, great moody shots of Talbot Hall and the moors. A really bitchin’ scene where Lawrence changes in the face of a hall full of doctors who are determined to prove that he isn’t a werewolf. The subplots: the Talbot family secrets and the

Comments

[yoicksandaway]

Why that must be from An American Werewolf in London, the best of the werewolf films. It's certainly the best transformation sequence.

[swashbucklr]

Indeed, I came to a similar conclusion, based on the werewolf's physiology and appearance. ;)

[narfnitsirk]

You both win...the satisfaction of knowing you are correct.

A Singh POV book would be brilliant

[anonymous]

That is an excellent idea as he could give the true story as an outsider witnessing madness and evil from up close but also outside all of it.

I have to agree, this book didn't work for me either. It felt very paint-by-numbers as I suppose it was since Mayberry is basically transcribing a movie here.

Dave J

[anonymous]

Anyway? What was up with the guy on the train? I was all intrigued with him and then.... nothing. I also agree with you about Singh, but he frustrated me-- or his lack of action frustrated me. I was incredulous that all these people knew what was happening and did nothing. I needed something more as well.

[anonymous]

Sorry-- that was me, Nikki.

[ext_246168]

Well, of course that's the Academy Award-winning transformation sequence from An American Werewolf in London, staring David Naughton and directed by John Landis. And I agree...The book was missing something, but I don't believe that's Mayberry's fault.