I was talking to a student about auditions. He's an actor who has been in some stuff, and we were discussing those whom he knew had had successful auditions
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Ok. I'm confused. You don't have an operatic voice? It's not very big? You have GOT to be kidding me! Unless your recordings boost you (and if that's the case, can I say that you're singing the wrong rep?) you are definitely operatic, and you definitely have a big voice. So big, in fact, that I was questioning a couple of your pieces, because they're not for that type.
I hate to tell ya this, sweetie (and I was meaning to comment on your recordings, but hadn't gotten there yet) but you got a hellova voice. SING! You have a LOT of offer. SING!!!! Do it for those of us who had some real issues... DO this!!!!
awwww! but see, that's the crap i had to deal with. and you know, after three semesters with her, i was down to using just a little sliver of the full instrument. but she decided i was a soubrette, and that was that.
Oh, Lordy, do I understand that. (the menace to society part, at any rate... I'm not sure that I was mishandled in that way, though I was allowed to "half-sing" a lot - because it was focused and on pitch, and all those good things - pretty, but not special - when I did that... and my grad teacher was envious of my intellect. Hard to say that, but everyone else told me that, and while I didn't believe it then, I surely believe it now...)
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I hate to tell ya this, sweetie (and I was meaning to comment on your recordings, but hadn't gotten there yet) but you got a hellova voice. SING! You have a LOT of offer. SING!!!! Do it for those of us who had some real issues... DO this!!!!
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the woman is a menace to society.
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Listen to "auntie Nan"... :-)
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ok, i won't kill you. i know i'm more of a prose writer anyway. i think when i try for poetry it gets clunky.
well too bad! you're gonna have to put up with both of them! :-D
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