I talk about this a lot. It's a phrase I use in rejection letters and when I'm speaking at conferences. I see a great many manuscripts that show promise: good story, interesting characters, steady pacing that builds suspense. But all too often, the writers have jumped the gun and sent me a draft that still clearly needs rewriting
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I think that's the hardest part about being a writer - conveying what you see and imagine in your head - and understanding when you're not actually doing that.
Thanks for the link to Sherwood's post. I could really relate.
Dee
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