The saturation of allusions used in The Waste Land presents an interesting question about a poet's motivation for writing and the intentions in creating and sharing one's work. Eliot's chosen strategy of writing footnotes to accompany his poem was compared to two other methods of dealing with the writer/reader relationship: leaving allusions out
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But it's interesting to note what is the poet's motive(s) and whether this would affect their popularity. When you mentioned your questions, I thought about artists whose motives may seem down right strange and/or very peculiar. I mean, what could some artists have been thinking and why would they have chosen such a subject matter or medium and/or style..?
Sometimes we all want a clear cut picture of things but at the same time we want something that is not so clear and obvious. This poem, for me at least, has made me think kind of outside the box. It's one of those poems that functions as something other than a form of 'entertainment' or just a simple read.
...And neat image by the way!
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Btw, another .......... Oogly! This time I'll let you spot it yourself.
As Voltaire did not say: SQUASH THE OOGLY.
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... Okay, I'm changing it to 'the' and 'one'.
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