SPOILERS
This film is inextricable from its use of time. The sustained shot upon the uncomprehending but curious face of János Valuska moves us past bathos, past pathos, to a blend of the two that sees in the face of actor Lars Rudolph evidence of a capricious and malevolent power that nevertheless existsUpon review, it seems inconsequential
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but then, i saw it last year and i don't need to see it again just yet.
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