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THE PLEASURE OF THE CINEMA
“due allowance being made for the sounds of the language, writing aloud is not phonological but phonetic; what it searches for (in a perspective of bliss) are the pulsional incidents, the language lined with flesh, a text where we can hear the grain of the throat, the patina of consonants, the voluptuousness of vowels, a whole carnal stereophony; ( Read more... )
