When reviewing volumes 9 - 11 of Claymore,
oyceter wrote about
shounen bodies:
"I also want to formulate some sort of thesis about monstrous bodies and strength in shounen: how strength is directly tied to monstrosity, particularly in the villains, but how even heroic strength is frequently tied in with bodily abuse or breaking down your body to build
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Comments 6
See also: Aquaman's harpoon hand-- a little bit trauma/survival, a little bit power-up.
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I see I didn't add that trauma/survival usually happens in the beginning of the series (chapter/volume 1) or in the back story. Power ups usually happen in the course of the series in shounen. (That's one of the differences in my head, although I'm not sure if other examples would reflect the division.) I didn't proof this entry well, because I wanted to get this post up to count as the 13th, since I'm trying to blog daily for November. I'm going to edit the entry to reflect this.
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I knew about the multiple origin stories and the conflicting canon in DC, but I didn't know it was that bad. I'd assumed they at least tried to keep things consistent until they decided to revamp the character/series, adapt the story for a different medium like movies or cartoons, or reboot the universe. I now feel better about not being able to keep things straight when I read trades. I thought it was because I was reading things out of chronological order.
Aquaman's magical water hand sounds like it's made of cracktastic win. Considering Aquaman's different backstory in the cartoons and the comics, he does seem like he spans two categories.
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