I don't remember that much about the fox's character. The instructor, we have already established, is a jerk. I remember the fox as being ravenously hungry, having seen better days, when he meets the firebird. How do you show his wisdom?
Unless they've read the entire piece, there is no way that the class or instructor could understand how the fox works into the greater framework of your novel. If you believe that their criticisms are wrong, be resolute. If this class is otherwise helpful, stick with it; if not, don't torture yourself--get out! Instructors are like apples. Some are good, some are bad, and some are rotted and festering with maggots.
thanks, elizabethphantom_momMarch 23 2002, 12:47:27 UTC
the problem is, the writing has to be so good that people keep reading -- and if they stop because modern readers are turned off by talking animals (shades of george orwell!), they'll never get to see the design, which, sigh, is a truly grand one.
Boo to your instructor! I love the concept of a story told in alternating modes...I think the fantasy/reality juxtaposition is a great method of adding depth and imagination to a story. I wouldn't dismiss that element of your novel just because the instructor seems to think it will turn people off. It's just a first draft, right? There will be plenty of time for fine-tuning later.
I'm a bit of an arts junkie myself, and I'm always amazed by how varied my experiences with writing/drama/visual arts classes have been. Some have been incredibly stifling and discouraging, while others have truly helped me develop my craft. Maybe you should try another class, or just ditch this one altogether?
Take heart--many great writers have faced similar discouragement, and also triumphed. You're in good company.
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I don't remember that much about the fox's character. The instructor, we have already established, is a jerk. I remember the fox as being ravenously hungry, having seen better days, when he meets the firebird. How do you show his wisdom?
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Best of luck to you.
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the phantom mom
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I'm a bit of an arts junkie myself, and I'm always amazed by how varied my experiences with writing/drama/visual arts classes have been. Some have been incredibly stifling and discouraging, while others have truly helped me develop my craft. Maybe you should try another class, or just ditch this one altogether?
Take heart--many great writers have faced similar discouragement, and also triumphed. You're in good company.
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