This is my entry for week #24 of
therealljidol. Some strong language and epic cluelessness ahead.
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There are 178 parent languages on our planet with over 1000 dialects
It's amazing we communicate at all ~
"AEIOU Sometimes Y" by EBN/OZNIf I were to describe my cluelessness as a body of water, it would be the Dead Sea of cluelessness. Its waters are still
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I had a sign language student who made an epic mistake the first time she went to a social event at the deaf services center where I worked. First you need to know she was a very pretty woman in her twenties. She had just walked in the door, and was greeted by a deaf man in his eighties.
She signed "My name is..." and fingerspelled her name, then instead of saying, "Nice to meet you," ("meet" is signed by making a number one with each hand and bringing them together so they face each other with the knuckles of the bent fingers touching) she said, "Nice to fuck you." ("fuck" is signed by making a peace sign with each hand and touching them together so the bent knuckles touch.)
The greeter was very understanding. She was mortified. I barely managed to keep her from fleeing.
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There's a story from the jingju (Beijing opera) world in Shanghai. During the Cultural Revolution, there were only a handful of approved plays. Those plays had been carefully crafted to ensure that they communicated the correct propaganda messages and when actors deviated from the text (even accidentally), consequences were swift and severe ( ... )
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I mean, come on.
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Thank you for reading an commenting!
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I wonder, sometimes, about stories similar to your Laura story, if that can be blamed on semantics/language/delivery alone. There is so so so much more going on between people when we communicate and that's how I have always interpreted that Artaud quote. Don't just tell the surface story, find the universal recognition of the experience we understand but will never have....
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Thank you for reading and for the very kind comment!
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The more personal our writing, the more universal it turns out to be. Bravo!
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And thank you for reading and commenting!
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(the example I always give my students is when they hear "wherefore art thou Romeo" they think it means "where are you, Romeo?" - which is nonsensical in context of the scene - when in fact it means "why are you Romeo?" - which makes perfect sense in the scene. An actor needs to make "wherefore" mean "why" for the listener and that can be, for some audience members, an insurmountable challenge)
I love that art released into the wild has a life of its own that provokes responses differently from our intentions. That's one of the great wonders of it. :D
Thanks for reading and commenting!
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