David Bowie is dead.
It was on the day of his death, just a few hours before they announced it, presumably as he was dying, that I was listening to his brand-new album Blackstar, released just two days ago on his 69th birthday - I was listening to it on YouTube because my copy of the CD hasn't even arrived in the mail yet - and I was thinking then
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I don't know what to say, but I've been thinking of you (Gayle) a lot today.
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None of the general public knew he was ill. He kept it private.
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I learned a lot about the guy back in the day, but prompted as much by others' enthusiasm as by my own fascination. The most surprising thing to me was how he started out as an ordinary fella, singing folky songs, and finding his way. It's only with someone phenomenal like him that such a finding would be surprising.
I'm sorry, Cynthia/Gayle.
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The career trajectory that led him from "The Laughing Gnome" to "Ziggy Stardust" in the span of very few years was, I think, a bit odder than most. Or maybe it's just that most performers manage to suppress their incongruous pre-success fumblings better. Probably not, though - so much of his work looks incongruous when placed next to his work from other eras. Like the Young Americans album. Or Tin Machine. There was no label or category that anyone ever tried to place him in that he didn't promptly slip out of. Not just musical genres but also genders, sexual orientations, arguably races (the lyrics to "Blackstar" seem to me partly a declaration of transracial identity), even the entire category of "musician."
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