how do we learn to address this inherent optimism? (or how do we address it?) What is the difference between what we exert with our thoughts and with our art - which part is more real (and then, is is more real for us personally, or for what we are attempting to address?)
are questions too much of a game, too? Can you find meaning after something is finished (perhaps intentional thinking is backfiring, is only paralyzing)? Can the process of making be part of the thinking? Can bright colors or other aspects of your aesthetic suggest anything but silliness? Are traditional connotations of certain qualities important to how you work?
I think I am too close to answer these questions right now...
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are questions too much of a game, too? Can you find meaning after something is finished (perhaps intentional thinking is backfiring, is only paralyzing)? Can the process of making be part of the thinking? Can bright colors or other aspects of your aesthetic suggest anything but silliness? Are traditional connotations of certain qualities important to how you work?
I think I am too close to answer these questions right now...
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