"Beirut. The Patriot Act. Palestine. Africa. Wal-Mart. Clear Channel. Peak oil. Global devastation. The backward talk of those in power that dominates and suffocates our cultural discourse. Overpopulation. The dawning of neo-feudalist Theocracy in America. It's a busy, interesting place we've got here. Lots of information aimed at us. The hidden
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Comments 16
That was a great punchline in an essay full of good zingers. The endorsement of mass suicide as a statement of cultural contrition was also entertaining, but I'm not sure the word "movement" can be applied to manufactured/co-opted music.
Funny stuff!
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-Mont
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I think a return to the big band/swing/jazz music of the late 30's and early 40's would be a solution, not only because the music is better but because that was, after all, such a docile and almost utopian geopolitical environment.
-Mont
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also just for the record, i probably like quite a few bands featured in said magazine, i just thought this was hilarious.
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Suggesting that Hawthorne Heights is responsible for the recent Pac-Sun stock increase might have been funny. Suggesting that Underoath is secretly involved in a terrorist plot to poison our hardcore scenes with progressively poppier music might have even been funny. But suggesting that any of these bands, or the collective of them present in AP, is to blame for a corrupt government is just distasteful.
Besides, we already know that blame should be placed squarely on the heads of Masonic secrety societies.
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that sort of idea is just ridiculous. for music to truly move people, it has to be brilliant. very few people can sit and listen to one of chopin's nocturnes and not have some sort of emotional response...
I just don't see anyone sitting down with their ipods and having a visceral response to the new underoath album. (sorry to pick on you guys, but I really haven't been keeping up with my shitty music)
there is nothing to fear from these bands because they exist solely to appeal to people who are simply not thinking critically about music. theirs is a world of product, not of artistic expression.
to me, this essays seems almost like a "modest proposal" the idea of every shitty band just breaking up is utterly ridiculous, and I am sure the author knows this...it just seems to me that at the heart of his argument, his logic is sort of flawed...
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