I've been going through some old Henri Cartier Bresson books and realizing that I am so inspired by his work and I want to explore more in the artistic photojournalism area. Less creepy nightmarish stuff, I think, will be the order of the day.
But to those who enjoy the horrorshow, I'll try to keep a (severed) hand in. I wouldn't want to alienate anyone.
I dunno, I think I'd like it better if I saw it sans the actors in the reflection. But I've never seen "Gone With the Wind," so maybe there's a reference I'm missing?
You're not missing much of a reference beyond what's there, though.
For my own part, I was entranced by the juxtaposition I saw between reckless youth and fiery passion, as emblematized by that scene in GWTW, with the dottering camaraderie of the elderly couple.
I'm not sure if I'd like the picture without Viv and Clark.
I've had various and sundry adversarial run-ins with sentimentality. I think we're going to be on better terms in the future. I appreciate the encouragement!
Is My Age Showing?auggiewrenApril 18 2005, 19:02:39 UTC
The reflection over the poster strikes me in the same way a picture fades on an old television. It was hard to comprehend that these people could be the children of Gable.That would place them at my parents' age. "IMPOSSIBLE!" says I. In my mind's eye (or eye's mind...), they are contemporaries of the pictured picture stars.
Re: Is My Age Showing?raygunn_revivalApril 19 2005, 03:48:02 UTC
My general policy is not to undercut anyone's interpretation of my work, but here is the straight dope on the age question:
William Clark Gable was born in 1901.
The elderly couple I had guessed to be in their mid- to late seventies.
Therefore, it's possible that they could have been the children of Gable, but unlikely that they could have been contemporaries. That would make them 104.
However, neither child-of-ness nor contemporary-ness were themes I had intended or even conceived of when I shot this picture.
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Cool alt title, too.
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Double yay!
I've been going through some old Henri Cartier Bresson books and realizing that I am so inspired by his work and I want to explore more in the artistic photojournalism area. Less creepy nightmarish stuff, I think, will be the order of the day.
But to those who enjoy the horrorshow, I'll try to keep a (severed) hand in. I wouldn't want to alienate anyone.
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Lovely photo.
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I'll see what I can do!
And thanks.
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You're not missing much of a reference beyond what's there, though.
For my own part, I was entranced by the juxtaposition I saw between reckless youth and fiery passion, as emblematized by that scene in GWTW, with the dottering camaraderie of the elderly couple.
I'm not sure if I'd like the picture without Viv and Clark.
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My father's parents are in their late 80s. They still hold hands. That's what I want.
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I want what my grandparents had too.
But I refuse to believe they weren't passionate about each other when they were young.
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Leave it up to me to take a beautiful photograph and make it all about gas.
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I don't make passes at folks who pass gasses.
Eh. Farts are a part of life. Especially at that stage. I bet they love each other toots an' all.
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And that the woman was his sister, and had seen it all before.
And that I'm full of hooey.
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I've had various and sundry adversarial run-ins with sentimentality. I think we're going to be on better terms in the future. I appreciate the encouragement!
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William Clark Gable was born in 1901.
The elderly couple I had guessed to be in their mid- to late seventies.
Therefore, it's possible that they could have been the children of Gable, but unlikely that they could have been contemporaries. That would make them 104.
However, neither child-of-ness nor contemporary-ness were themes I had intended or even conceived of when I shot this picture.
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What, Blueberry Hill?
Seriously: very well said. For what it's worth, it doesn't show.
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