Surprise! My favorite episode of Miracle Day, so far, is the one that involves historical flashbacks, dysfunctional romance, a long conversation about friendship, and no exploding helicopters. Okay, not surprising at all. I didn't like the earlier episodes enough to post about them, but I loved "Immortal Sins," and have some thoughts that I'd
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I think Jack was trying to make up for the Doctor abandoning him, as well.
So true, and so sad (especially that moment where Jack is hugging that shirt and thinking of the Doctor). It's like--if Jack can't be with the Doctor, he'll try being the Doctor. There's a fine line between love and identification, as happens in so many relationships, but especially in this one.
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Sort of highlights the struggle that women everywhere still face - the choice between career and children.
Also, 51stcenturyfox pointed out the parallels between Angelo and John Hart, made explicit in the scene where Jack falls off the rooftop. "Men like you kill me." That made me squee a little. :)
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Yes, yes, yes, yes! And also, yes again. I've been thinking the same thing, but couldn't figure out how to talk about this issue without writing pages and pages of rant, because I have really been struggling with how Gwen is gendered in MD (as I discussed in my comments on joking's amazing meta about Jack and gender). Your insightful comment helped me to see the most relevant points, and I just added a new paragraph to this meta in response to you. Thanks! <3
Oh yes, that was a wonderful point about Angelo and John Hart--even if we are all debating about which scene came first in Jack's personal timeline. The parallels, they are everywhere!
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I love your Gwen icons, by the way!
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I think Gwen's case shows how impossible a bind it really is. She's told, like all women are, that she can have it all. And she thinks she can, because as she said in "Immortal Sins", she thought she was special. She was a superhero who could save the world and have a family. She's humbler now, and she realizes she has to make tough choices ( ... )
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Just a quick response, in case I never get a real break from work in the next few days...
Yet I don't think even Doctor Who tries to pretend that taking on companions is without consequence. The Doctor turns his companions into weapons, often against himself (think long and hard about what we found out about River in "AGMGTW"). Torchwood is more unflinching about it, but that specter looms in both shows. Agh, I could write a whole meta on this theme alone.
Yes, those are great points, and I would love to see that meta. RTD & Co. do like to talk about TW as the "adult" show where you can show the really horrible consequences that are not possible in the "children's" show DW, but of course it's more complicated than that! Especially if we think about the mirroring between Jack and the Doctor going two ways.
Jack is so wrong that the Doctor can't even talk about his wrongness unless there's a sealed ( ... )
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MD emphasizes [Gwen's] gun-toting badassery in ways that more overtly challenge norms of femininity--but also more overtly set up this gender-reversal as a source of guilt and irreconcilable conflict. I'm not actually sure whether the show is brilliantly dramatizing the real social struggles of working women, or whether the writers are giving into social stereotypes by portraying Gwen--rather than any male character--as defined by family responsibility. What do you think?
What about Rhys, though? He's defined by family responsibility in MD. For me that makes the difference.
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If the plot resolution ends up such that Gwen must choose between Jack and Anwen, well, I'm still not sure if that puts Gwen in a specifically female-gendered bind. I'm not a gender studies expert though.
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