[ First Philip met up with Dean.
Then unhappy memories were created. And now the adrenaline wears off and Philip wonders if there was a point to his escape to begin with.
He remembers when Clarence of all people reminds him that he meant to warn "the love of his life... oh yeah, and Evie too"And so he reaches for the communication device, hoping
(
Read more... )
Comments 73
...The point is, she's clueless about Philip's bloody body until she almost walks on top of him. Her first instinct is disgust that someone didn't bother to move the corpse to an empty room like she did with the douchebag*. Ugh.
Then she realizes he's not quite dead.
Well well. This could be fun.]
Oh my god, Philip?! [She rushes to his aid and everything!]
*Alex left her with a few bruises and a now-bandaged cut on her arm, for informational purposes.
Reply
He stirs, but in the darkness it's impossible for him to make out more than a blurry silhouette.
Neither his arms nor his legs feel any inclination to move and so a dry cough is all the acknowledgement and greeting Santana gets for the moment. ]
Reply
Can you move? Can you hear me? [She looks around, ever so worried that someone dangerous might come along.] If I can get you to a room I can get stuff from the closet to help you...
Reply
Dean, it's Dean he's I don't know where he went be
[ He hears himself say 'careful' as well, but then again, he's hearing a lot of things right now. Murmurs and whispers mostly and above them--
It's Santana, isn't it?
The recognition serves as just the tiniest jolt and his feet scramble sluggishly, doing their best to push him into a more upright position. ]
Reply
Philip?
[Even the signals seem to have more static and interference in the hallways.]
Philip? It's Evie. Can you hear me?
Reply
Not that the blood and darkness provides much of a visual anyway, but... ]
Hey...
[ Philip smiles at Evie's voice, presently a little too removed from reality to know or care where it comes from or realise that it might be helpful to respond to it in a more elaborate manner. ]
Reply
Philip, I- I went to the dining hall, and you weren't there, there was-
[She swallows hard. Honestly, she's just happy he picked up after what she saw.]
There was blood...everywhere. Chairs across the floor, just- Please tell me you're all right, whatever happened, do you need help?
Reply
No, don't! Not the dining hall, it's Dean, he'ssssaaanghhhhh.
[ Rapid movements are not a good idea in Philip's condition. Bolting into an upright sitting position and screaming in a raspy voice at the top of his already strained lungs qualifies as such.
And as such the rest of his statement is replaced by a cough as a sharp and painful stinging sensation in Philip's head makes him keel over and retch up the entire lack of breakfast he's had today. ]
Reply
Is that Philip?
[ Alex's voice has a sharp, it's-a-dangerous-event-don't-fuck-around tone to it. ]
Reply
Because he will know what to do. He always did, especially during the worst and craziest times. ]
...Red?
Reply
[ His voice is full of 8I and also urgency and also 8I. Because it's dark on the screen, but not so dark that he can't make out blood. ]
Where are you?
Reply
[ He lost track of the mining tunnels, the concrete, the stone. Which turn he took before he collapsed, which door he went through last, which section he passed, it...
It's all a distant blur, as if it was something that happened to him months ago. ]
Reply
Reply
The questions on the other hand make it through and the answer to all of them is quite simple and quite the same. ]
Dean.
[ His tone is urgent, alarmed and comes with the disclaimer to stay away from the man just so helpfully named. ]
Reply
Got it.
Reply
But as it is he thinks his message has been received exactly the way he meant it to be received and so he can't think of much to respond apart from your average horror event advice: ]
Take... take care.
Reply
Leave a comment