Abbot compares the difference between the 17th century theater and bookshop, and how books had shelf-lifes compared to the huge, popular theater productions. I find the opposite true today with film and books. Movies are only in the theater for a select amount of weeks, a shelf life of their own, while paperbacks published from several years ago
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A narrative's power, its characters and plot, can not just be graded simply on the page count or screen time. The emotional quality of the book or the film offers is what makes it good. I know of plenty of long books which are horrendous reads, in comparison to really good short 1 hour televison shows. Its not how long the book or movie is, its how well that piece of media gets its emotional and thematic message across.
-Ross
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I know there are people out there who argue that the film version of The Princess Bride is far superior to the book version, because it cuts out a lot of the extraneous asides that Goldman inserts and makes it one cohesive narrative. I would go so far as to say that there are people out there who don't even know it was a book before it was a movie.
I think there's a serious slippery slope when it comes to adapting books (or plays or musicals) to film. We want the film to be as faithful to the original work as possible, but at the same time we want a tight, cohesive story that doesn't drag on for three hours like Return of the King did.
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