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Warnings for: Light sexual content, mention of drugs/drug use and minor violence.
Nobody Home
I've got electric light, I've got second sight
I've got amazing powers of observation.
And that is how I know when I try to get through
on the telephone to you, there'll be nobody home.
Call #001, London
One week After Death.
He knows he shouldn't, but he does it anyway.
His hands shake as he presses each number on the payphone, listening to the quiet beep coming through the earpiece, the soft click of buttons under his fingertips. He swallows thickly, twists the cord around his wrist and shuffles closer to the glass of the booth, keeping his head down, eyes up, observant ( ... )
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He wore them once around the flat, on laundry day. John had stopped in his tracks and stared - actually stared - at Sherlock when he came out of his room. Then his eyes had flicked not-so-subtly to Sherlock's crotch, and his tongue had not-so-subtly poked its way out of his mouth and swept across his lower lip. When Sherlock cleared his throat, John had blushed and awkwardly left the room to go upstairs and pretend he hadn't just been caught ogling ( ... )
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Somehow, against all odds, Sherlock manages to find his room. It's cool with the air conditioning unit on, and dark and pleasantly still when he lies down on the bed, one arm and one leg dangling off the ledge (a trick Victor taught him in university to make the room stop spinning. Surprisingly enough, it worked, and Sherlock never forgot it.)
He dials the wrong number the first two times, the numbers jiggly-blurry and glowing up in his face from the palm of his hand. The third time he gets it right, and the phone rings until John's automated message picks up. Sherlock opens his mouth to speak, to say something into the machine and instead vomits down the front of his shirt.
Call #097, Venice
One year, one month, two weeks, ( ... )
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Sherlock throws the bag of powder down onto his stomach and departs as quickly as he can. He wishes he could sit and watch, wishes he could draw it out and make Moran suffer for what he did - what he could have done - to John. But Sherlock doesn't have time, and as he rounds the corner a few blocks over, he already hears the sirens sounding in the distance.
(It'll be too late to save him.)
Sherlock showers and shaves, packs his bags for the morning. He twiddles his phone for a few minutes. It's all over now, he thinks. He's going home. He could phone John and talk to him this time. Leave a message. Hope, against all odds, that this time John will pick up the phone.
It rings, rings, rings, bloody rings. There's no answer. Not even John's ( ... )
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Arguing over mangos, Sherlock sniffs. Dull. Boring. Chemical defect.
That's when he hears it. That's when everything changes, and the grey filter over him lifts.
“Harry,” John says. He frowns, shakes his head, says, “Harry, we can't afford two, and a basket of strawberries and a bottle of Italian wine and... and that.”
“For God's sake, John,” the woman - Harry, John's sister Harry. John's sister - scoffs. “I'm paying for it. And it's cheese!”
“That is not cheese! Cheese is that big block of orange stuff. That is bird shitSherlock's heart hammers in his chest. He looks around, tries to find a good spot. Somewhere to hide, or somewhere to be out in the open, he doesn't know. Somewhere to hide in plain sight, somewhere to be easily accessible. His ( ... )
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This is a heck of a lot happier than what I was thinking, but that's no bad thing. I like the fake-out with Harry (I was sure it'd be Mary) and the fact that John's message changes in response to Sherlock's mysterious calls. Even from such a distance, Sherlock has a little influence on John's life.
Thank you!
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