[She's died. She's terrified of wandering Adstringendum alone and can't work up the nerve to go to her theatre after what happened there. She has yet to figure out what her death price is. Anna is gone from Adstringendum. And Rachel, who spends every waking moment of her time singing whenever things gets too much, isn't allowed to singLuckily, she
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Her foot kicks the dummy again, in a quick motion.]
I am not helpless.
[It's faint, whispery -- and Rachel kicks it again.]
I am not. I will not let them take anything else or anyone else from me.
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You're not suited for raw power. More leverage and locks and holds.
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-- what?
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... Miss Rachel, I'd like to offer you something.
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What is it?
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[She's on the floor now, kicking the dummy -- over, and over, and over -- but each kick is getting weaker -- and her voice is shrill and it hurts to use her voice that way, but she doesn't care.]
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[Another vicious kick.]
Can you give me that?
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[Her voice is getting hoarser and she's kicking the dummy -- thunk thunk thunk -- from her seated position on the floor, with tears in her eyes.]
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Your dancing was very good, although I will admit the steps are unlike any I have seen before. I did not know you were a dancer as well as a minstrel.
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[It's choked -- and it's the last straw. Dying Rachel can handle. A damaged voice -- well, that will heal. But Anna is gone. And she isn't coming back. And Rachel can't quite deal with that.
-- but then Juliet keeps talking and Rachel's hands slide into her hair. She's trembling, but she manages to keep talking.]
... it's Michael Jackson. I -- screwed up the performance.
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What, for all he knows it's performance art.]
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And she looks at the camera, eyes narrowed ever so slightly, with tear-stained cheeks and her chest heaving, almost... suspicious.
Is this person mocking her?]
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Nice work on that reinterpretation, sweetheart. I think you really nailed the emotion on that last punch.
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[She's staring at the dummy now -- and she kicks it again, for good measure.]
And it was not a part of the performance.
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