Why I don’t really like Shakespeare.
The first thing to note is that I don’t hate Shakespeare, I mean it literally when I say that I don’t really like it.
I don’t think that I hold this opinion out of a desire to be contrary or iconoclastic - I have read a lot of Shakespeare and seen performances a number of times too. It took me a long time to
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(Disclaimer: I'm not a nineteenth-century or a Renaissance scholar, so anyone who works in those fields is welcome to give a more nuanced view!)
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Definitely an author whoneeds good direcvtion as otherwise i'mwith you on not caring.
i'd recommend Lear or the Tempest if you haven't seen then, but otherwdise each top their own.
Do you like marlowe or any other jacobean playwrights?
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I do enjoy Marlowe. And Webster - _Malfi_ is one of my favourite plays.
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But isn't that a little like saying that the music of J S Bach varies in merit? When it is good, it is great beyond mortal skill, but when it is bad, it's still pretty good.
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I too find problems with the characters, plot and language and that made it hard to get into it for me.
However, I did find, like you, that the language used was really pretty in places and that is one of the things I really like about it.
I always thought that the real lure of Shakespeare was that it was good for its time and a point in the evolution of English literature. The plots are starkly simple and archetypical and the characters either stereotypes or caricatures. It's very raw and primal literature and is interesting more about what it says about our literature now than intrinsically.
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It doesn't help that they are usually done by the RSC, who are (in my experience of about 3 plays) utterly shite. They never act, they only declaim, and between the shouting and the mumbling I can't even hear what they are saying. People prancing about reciting Literature isn't a play.
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So, so, so, so true. How they got to be a touchstone of thespianism is beyond me. I was particularly disappointed by a Branagh Hamlet back in the early 90s (before he did the film) which was dead from the waist up.
On the other hand, I've seen student productions with energy, sympathetic playing, non-declamatory speaking and direction which connects the action on stage to the audience, which were quite enjoyable. So I think the RSC bear a lot of collective blame for making Shakespeare dull with their dire, deadly presentations.
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