If you really want to do something, you do it. You don't save it for a sound bite.
I'm putting this here so I don't lose it. But the other writers on my f-list might appreciate it, as well.
Taken from Neil Gaiman's blog.
(Letter from a fan.)
Hey Neil,
Wayward young writer here.
I have a question concerning characters. Most of the writers I respect seem to create autonomous characters inside their own mind. This process sounds mad and delightful and impossible, at the moment.
I feel that my characters are glaring flaws in my stories. I want them to feel real and sovereign to my whims, instead of contrivances.
If you have any time to bestow some advice, I would greatly appreciate it. Just a revelatory aphorism or two.
Also, thank you for so many wonderful stories. Your stuff is guiltless pleasure reading.
Sincerely,
Dan Kelly
(Neil's reply.)
When I was a young writer I would come up with stories, and then put characters into them. And each of the characters would often feel like, in Thurber's words, "a mere device".
I think the breakthrough for me came when I started writing comics -- because I believed in them. Because sometimes I would be using characters I hadn't created, but simply cared about. And over the next few years I learned that if you cared enough about your characters, what happened to them was interesting.
I'm not sure that's much of an aphorism, but it's important to care about them, about who they are and what they do. And (for me) for them to be people I would want to spend time with -- I don't really care whose side they are on, and they can be monstrous on the outside or, worse, on the inside, but you still have to want to spend time with them. If you met one of these characters socially would you talk to them, or make an excuse and flee?
(As a sidenote, I think the years I spent as a journalist doing interviews for magazines really helped as well. I learned a lot about speech patterns, and ways of describing people, and letting their words describe them. But more importantly, I learned that if you are actually interested, and not faking it, people will tell you anything, and you will take pleasure in their company. So my suggestion for any young writer is, talk to people, especially people you would normally avoid talking to. Find out their stories. Figure out how you would put them into stories, if you would, or just describe them with a few words.)
Taken from Neil Gaiman's blog.
(Letter from a fan.)
Hey Neil,
Wayward young writer here.
I have a question concerning characters. Most of the writers I respect seem to create autonomous characters inside their own mind. This process sounds mad and delightful and impossible, at the moment.
I feel that my characters are glaring flaws in my stories. I want them to feel real and sovereign to my whims, instead of contrivances.
If you have any time to bestow some advice, I would greatly appreciate it. Just a revelatory aphorism or two.
Also, thank you for so many wonderful stories. Your stuff is guiltless pleasure reading.
Sincerely,
Dan Kelly
(Neil's reply.)
When I was a young writer I would come up with stories, and then put characters into them. And each of the characters would often feel like, in Thurber's words, "a mere device".
I think the breakthrough for me came when I started writing comics -- because I believed in them. Because sometimes I would be using characters I hadn't created, but simply cared about. And over the next few years I learned that if you cared enough about your characters, what happened to them was interesting.
I'm not sure that's much of an aphorism, but it's important to care about them, about who they are and what they do. And (for me) for them to be people I would want to spend time with -- I don't really care whose side they are on, and they can be monstrous on the outside or, worse, on the inside, but you still have to want to spend time with them. If you met one of these characters socially would you talk to them, or make an excuse and flee?
(As a sidenote, I think the years I spent as a journalist doing interviews for magazines really helped as well. I learned a lot about speech patterns, and ways of describing people, and letting their words describe them. But more importantly, I learned that if you are actually interested, and not faking it, people will tell you anything, and you will take pleasure in their company. So my suggestion for any young writer is, talk to people, especially people you would normally avoid talking to. Find out their stories. Figure out how you would put them into stories, if you would, or just describe them with a few words.)