I am writing this on my bed, in a bedroom which contains every movable item from the living room, including two sofas, a hat stand, several large plants, a dining table and chairs, a small cupboard full of glasses, and a set of botanical watercolours, plus the new cooker and washing machine. For lo, verily, it occurred to us that we should do the
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It is a strange thing having other people work in your house like that. I hate the mess- at least there is the comfort of the personal opera seat to cushion it. I struggle to understand opera,I have come to a murky understanding that it is highly skilled musical theatre in languages other than English. I sound like a complete barbarian. Perhaps I am. Recently, in a fit of something, I checked out a set of opera discs from the library. I enjoy them but at climax points i find myself growing anxious.
I'm a bit stunned someone can actually spend that much on an opera seat. That's half my rent. I think I need to go into crime.
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I'm slightly confused myself about why I'm responding to opera when I never did before, really, (though I'd enjoyed some funny, inventive stagings of Monteverdi and Handel done by a touring group of very young singers that tours Ireland and plays out-of-the-way places for a single night.) There is something about seeing and hearing it live which is entirely different to recordings - particularly the overwhelmingness of a full orchestra a few feet away - and maybe being plunged at 11 am on a Tuesday morning into a world of arias about drinking poison, doomed love and eternally damned sailors is disarming. I do like that it's still a working rehearsal, and that from where I'm sitting I can overhear the conductor and the director and tech people conferring about the score. And also maybe I'm learning to listen differently.
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The silver-haired smugfest in the row behind is one of the reasons I am generally irritated when I see plays performed by the RSC, especially in Stratford.
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