For starters, I've gotta say they're some incredible photos! :-> Ta for the links, cos I love light graffiti.
Apart from admiring those photos for their beauty, it's fascinating to try and figure-out what they've done from a technical point of view.
In the "Making of" section, it shows they used a medium-format analogue camera (looks like a Hasselblad, one of the world's best and the type the sent to the moon!). Using a larger negative means practically no film-grain, which would normally accumulate badly in a long exposure. But jeez, it's hard enough to time really long exposures on a modern camera!
The little, eight-pointed star-shapes that halo the brighter lights are a refraction pattern created as light passes through the lens's aperture. In this case, it's an eight-bladed aperture.
Based on the star-trails (the length of the arc as the earth turns) in some of those pics, I estimate that they held the shutters open for 3-4 minutes, as much as 5. Before I cropped this shot to improve the composition, it had some trails
( ... )
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Ta for the links, cos I love light graffiti.
Apart from admiring those photos for their beauty, it's fascinating to try and figure-out what they've done from a technical point of view.
In the "Making of" section, it shows they used a medium-format analogue camera (looks like a Hasselblad, one of the world's best and the type the sent to the moon!). Using a larger negative means practically no film-grain, which would normally accumulate badly in a long exposure. But jeez, it's hard enough to time really long exposures on a modern camera!
The little, eight-pointed star-shapes that halo the brighter lights are a refraction pattern created as light passes through the lens's aperture. In this case, it's an eight-bladed aperture.
Based on the star-trails (the length of the arc as the earth turns) in some of those pics, I estimate that they held the shutters open for 3-4 minutes, as much as 5.
Before I cropped this shot to improve the composition, it had some trails ( ... )
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