TONIGHT I CAN WRITE
Tonight I can write the saddest lines.
Write, for example, `The night is starry
and the stars are blue and shiver in the distance.'
The night wind revolves in the sky and sings.
Tonight I can write the saddest lines.
I loved her, and sometimes she loved me too.
Through nights like this one I held her in my arms.
I kissed her again and again under the endless sky.
She loved me, sometimes I loved her too.
How could one not have loved her great still eyes.
Tonight I can write the saddest lines.
To think that I do not have her. To feel that I have lost her.
To hear the immense night, still more immense without her.
And the verse falls to the soul like dew to the pasture.
What does it matter that my love could not keep her.
The night is starry and she is not with me.
This is all. In the distance someone is singing. In the distance.
My soul is not satisfied that it has lost her.
My sight tries to find her as though to bring her closer.
My heart looks for her, and she is not with me.
The same night, whitening the same trees.
We, of that time, are no longer the same.
I no longer love her, that's certain, but how I loved her.
My voice tried to find the wind to touch her hearing.
Another's. She will be another's. As she was before my kisses.
Her voice, her bright body. Her infinite eyes.
I no longer love her, that's certain, but maybe I love her.
Love is so short, forgetting is so long.
Because through nights like this one I held her in my arms,
my soul is not satisfied that it has lost her.
Though this be the last pain she makes me suffer
and these the last verses that I write for her.
Sonnet XLIV
You must know that I do not love and that I love you,
because everything alive has its two sides;
a word is one wing of silence,
fire has its cold half.
I love you in order to begin to love you,
to start infinity again
and never to stop loving you:
that's why I do not love you yet.
I love you, and I do not love you, as if I held
keys in my hand: to a future of joy-
a wretched, muddled fate-
My love has two lives, in order to love you:
that's why I love you when I do not love you,
and also why I love you when I do.
Sonnet XCIV
If I die, survive me with such a pure force
you make the pallor and the coldness rage;
flash your indelible eyes from south to south,
from sun to sun, till your mouth sings like a guitar.
I don't want your laugh or your footsteps to waver;
I don't want my legacy of happiness to die;
don't call to my breast: I'm not there.
Live in my absence as in a house.
Absence is such a large house
that you'll walk through the walls,
hang pictures in sheer air.
Absence is such a transparent house
that even being dead I will see you there,
and if you suffer, Love, I'll die a second time.
SONNET XVII
I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way
than this: where 'I' does not exist, nor 'You'
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.
Pablo Neruda
I'm not generally a love-poem type person, but this guy...siiiigh.