Becky may not have been too successful in making friends while she was in school, but now that graduation has come and gone, it seems the relationships she'd never have expected to take root are beginning to.
(
Professor Partridge was one of such relationships. )
She disentangles herself from the awkward position of bent knees and hanging just so above the steps that it prevents stepping down easily, and uses the lull to reload with shaking, burning fingers. It's an old habit - do it when you have the silence, or you might not get the chance when you really need that extra cap in the fresh magazine. She has two extra clips of ammunition stowed in her under-jacket holster; the half-spent cartridge of six is ejected, shoved into her jacket pocket, and a new one is locked into place. As soon as she racks the slide to put another bullet in the hole, there's a wet, gurgling, horrible sound interspersed with screams from the levels below ( ... )
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Then the finish on his knife starts to bubble. The two ends of the test tube fall to the carpet, cleaved in perfect halves.
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Some things he cannot afford to lose.
That done, he just grabs for her neck. Choking her's a start, but he's actually planning on, given a moment's opportunity, tightening his grip and just breaking it.
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The good thing is it blocks her right arm from view as she reaches under her jacket, into her holster.
Another good thing; the test tubes are only made of glass. That means they shatter when you jam them into someone's eyesocket.
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He's pretty good at staying oriented; he doesn't remember what was, exactly, where further than lunging range, however, and so when he throws her it's careless, hard, and, most importantly, blindly. He'd like to break her spine on a workbench, but he can't be sure he threw her correctly for that.
He also can't be sure what else she has or what she can do while he's blinded; he covers his face, rolling back through the door, slamming his back against the wall and ordering the plaga to feel for vibrations.
Given the overload of information coming in through his face right now, most of which is going FUCK! ACID! BROKEN GLASS! that's not too successful.
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She takes a moment, heedless of the little dark green needles now peppering the soles of her feet, to break open the glass cabinet with her elbow and retrieve that fire axe, though, just in case.
Becky runs from the room, and edges past Krauser in one of those tried-and-true evasive jerks, then makes one hell of a sprint for the nearest fire exit.
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He moves for a little bit of a safer spot; he'll just get these major shards out, and then. . . well, either recover the situation, or let it go.
There's always another day.
Especially given some of the performances here.
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She's holding the axe in front of her with both hands, handle held horizontally, close to her torso. Her feet slapping against the polished floor is the only sound for a long way around.
Finally, when it looks like she's clear, she shoulders open the fire exit, panting and fatigued, and is met with flashing blue-and-red lights, strident white beams from flashlights, and about seven aimed pistols. She, very slowly, drops the axe with an empty klonggg and raises her hands.
"...I'm a cop," she offers, feebly.
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