a short note - an introduction by way of apology, i reckon:
i made a real effort to avoid any sort of artistic flourishes with this narrative. my instructor cautions against "spiritual inflation," and i tend to fall prey to that. i tried to inject some of the humor of the situation, but, in retrospect, i neglected to accurately capture some of the
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Great narrative. I could feel the turn when you guys watched the sunrise...it showed in your writing. I enjoyed the brief history of the area (whiskey, for example). The discussion of the fire was great, too, though I expected more of the bear. You should mention him near the end again.
"fish water?" That was a bit odd. Fetch, perhaps.
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Geez. What do you get paid for, then? :-9
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Miss: the ancient redwood forest. The stars. I don't get those here. Thanks a lot, asswipe!
Wonder: about this "spiritual inflation" and why one would avoid "artistic flourishes." Please tell me more.
Really?: the ending of the third paragraph, "fortunately for us." Didn't get it. Please explain.
Hits: "sleeping in a Christmas tree," especially when preceded by an oath; the ending.
Happy happy joy joy: see you soon - and will the weekend of 05-06 January find you in Hayward or Humboldt?
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One of the most egregious examples of "spiritual inflation" is this:
Insolent, the moon caters to my dialogue.
It may very well be the lamest sentence ever written in the English language. The writer is obviously trying really hard to tell the reader that she has a personal relationship with the moon. That may very well be, but all the reader will feel is the pain of being smacked in the face with terrible writing. True artistry is subtle and honest, not contrived as fuck.
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