Firstly, my sincere apologies for the lateness of this post (it's always the mods, isn't it) But I hope you enjoy it anyway. These are two of my favourite chapters!
Chapters: 9&10
Brief synopsis: In which several things happen which have nothing to do with Saint George. Sadly.
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I think the violence escalates for a structural reason - it's all ramping up to Peter's arrival. Perhaps an in-story-world reason would be the Poltergeist is getting annoyed that no one is telling the press.
When I was reading it the first time, I thought the suspect was one of the dons - so much time is given to suspecting them, and Sayers did a great job concealing any kind of "most obviously guilty, therefore innocent" type of character. Though I find it hilarious that Harriet transparently finds an alibi for the Dean.
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Pretty common among his social class, I think, to the extent that in Brideshead Revisited, Charles Ryder's cousin invites him to use a London tailor because they give better credit than the Oxford ones, who are warier, and the local urban legend concerning graduation ceremonies than local tradesmen could prevent graduation where students owed debts to them.
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Considering that Harriet feels "Her consciousness seemed to have become all one exposed nerve-centre, sensitive to the lightest breath of innuendo in her own words", I think Peter ought at least to match that! But possible the super-human effort comes into the next letter, when he has to restrain from howling "Don't have an affair with my nephew!"
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Definitely - there are clues right from the start of the book. I liked Gaudy Night in part, I have to admit, because it was a rare example of a whodunnit when I guessed the perpetrator - and guessed pretty early.
Re. Peter at his most condescending, whereas I'm entirely with Harriet on how absolutely infuriating and insulting it is, I wonder if paradoxically it helps her, in that seeing him be like that to St George makes it something that he isn't just doing to her (though the fact that he evidently has been condescending to Harriet doesn't say much for him to the reader).
I find Peter-Harriet-St. George a fascinating set of relationships, but I glad not to be in any position of responsibility for the latter!
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But that might be bosh.
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Re. the war, I know Harriet hasn't been in it (being 10!), but I think her having nonetheless been around and experienced the war is a significant generational marker that puts her on Peter's side rather than Saint-George and Mr Pomfret, even though she is pretty much equidistant in age to both of them.
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I like Harriet firmly immune and utterly squashing to St George throughout writing the cheques, particularly when he asks whether she gets the quotation habit from Peter.
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