I am very taken with this horror meta poem: "
The Last Word," by Gwynne Garfinkel. Sad and funny, and a true appreciation of two characters who are overshadowed by the more monstrous figures, but who are pivotal to the plot and meaningful to some of us. I'm feeling warm and fuzzy about Garfinkel's appreciating these two for themselves
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If they're the same news story I think I've found, the detail of the husband praising his wife in flowery lines from Game of Thrones also feels like something that Dr. Gogol would do if he'd been into 21st-century pop culture instead of Elizabeth Barrett Browning.
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You know, even without the frame-story of the murder, that feels karmically like a very dangerous thing to do.
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That's a really lovely picture. I'm not sure that I have ever seen him smile, at least not when it wasn't meant to be taken as a bad sign. Was this taken on the set of Bride of Frankenstein, or did they star in something else together?
(Valerie Hobson is so good in Q Planes (1939), The Spy in Black (1939), and Contraband (1940)! Can I blame David Lean for not knowing how to direct her that everyone thinks of her as beautiful and essentially boring?)
starred in an entire movie about beautiful young soldiers caring about each other and dying in each other's arms
I keep meaning to watch Journey's End; I want to see if it continues David Manners' streak of being really good in non-genre movies. I know Clive had also starred at one point in the stage version.
If the world ends with this foul year, I want it known that I died as I lived: raving about ( ... )
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