(no subject)
As far as will power went, Roger had none. He'd promised himself that he was done with that cave- that the history was too much to actually get over. In every single nook of the harsh cave wall, he could see a signature Mark moment. The day Mark had fallen asleep in the compound and came to find him. Mark dragging him to the infirmary when he was coughing blood. Mark writhing on the floor, his fingers tangled in his hair, moaning his name over and over...
Roger shook his head and walked to where he knew the firepit was, lighting a sall twig for a bit of light to look around. The pollow was still sitting there, in the exact same place it had been, which meant Mark hadn't been there, either. He found himself wondering what Mark was doing, and if they'd ever actually speak again.
And then he was angry. He was dying and Mark was insensitive to that. What if Mark had been dying? Roger would have been there.
"I hope you come down with something they can't diagnose," Roger said softly, suddenly hearing a chord or two in his head to go with the words. This could be his chance. His one song glory. As long as no one interrupted.
For Mark and Riddick, please.
Summary so far: Roger goes bac to the cave and broods, finally hearing his song, though it's not what it was in canon. He is interrupted by Mark, who makes an excuse about a book or some shit. Roger and he start down the road of bickering, then Roger is dragged out of the cave by a very angry Richard Riddick, who tells Roger he has 5 minutes to talk him out of castration. Instead, Mark steps between and Roger ends up with a split lip. Roger longs for Mark and Riddick gets annoyed, and literally drags Roger to the Compound where House FINALLY tells Riddick that there's a really small fucking chance Bridget has the hiv. Everyone (but Mark) gets lectured, with a pending lecture for Foreman. Then, Mark and House talk about being in love with straight men who like the cock, and Roger and Mark have another tear-jerking conversation.
Roger shook his head and walked to where he knew the firepit was, lighting a sall twig for a bit of light to look around. The pollow was still sitting there, in the exact same place it had been, which meant Mark hadn't been there, either. He found himself wondering what Mark was doing, and if they'd ever actually speak again.
And then he was angry. He was dying and Mark was insensitive to that. What if Mark had been dying? Roger would have been there.
"I hope you come down with something they can't diagnose," Roger said softly, suddenly hearing a chord or two in his head to go with the words. This could be his chance. His one song glory. As long as no one interrupted.
For Mark and Riddick, please.
Summary so far: Roger goes bac to the cave and broods, finally hearing his song, though it's not what it was in canon. He is interrupted by Mark, who makes an excuse about a book or some shit. Roger and he start down the road of bickering, then Roger is dragged out of the cave by a very angry Richard Riddick, who tells Roger he has 5 minutes to talk him out of castration. Instead, Mark steps between and Roger ends up with a split lip. Roger longs for Mark and Riddick gets annoyed, and literally drags Roger to the Compound where House FINALLY tells Riddick that there's a really small fucking chance Bridget has the hiv. Everyone (but Mark) gets lectured, with a pending lecture for Foreman. Then, Mark and House talk about being in love with straight men who like the cock, and Roger and Mark have another tear-jerking conversation.