After a fully intensive first school year at USC with its most rigorous, challenging courses taken, I at long last have summer to relax...
Did I say relax? I mean work my ass off. Here's my average work week:
Monday: Working at George Lucas Bldg Operations
Tuesday: More Lucas Operations
Wednesday: Acting Classes, more Lucas Operations
Thursday:
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Well, she makes sure everyone knows that she's manlier, tougher, and rougher than anyone who dares to challenge her.
Poor Dick Donner. ;)
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"You're a damn good writer - I'm impressed."
I don't get my writing ego stroked so often (usually, people stroke my illustration ego, but the majority calls my writing a waste of time -- you ever get that?), so this was good to hear.
He asked if I had anything high concept in the works (which I do -- tho' I think many people do) because they're looking to setup a studio feature. And he asked if I had a favorite genre.
So... thats fun.
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As to myths - I'm taking a class on Tibetan Buddhism. They have some pretty awesome mythology going on in Tibet, India as well - might be something to look at. Some friends of mine read the Ramayana, a story that has a lot of revisionist feminist scholars writing diatribes. I wonder if you could look at a character like Sita from a different perspective and give her a separate life within a similar context. Hope this helps and good luck!
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Your Lovecraftian script -- straight adaptation of an exisiting story, or more a pastiche or tribute, a la IN THE MOUTH OF MADNESS (which I own a copy of, but have yet to watch... I hear it's so-so, but can still be a total mindfuck)?
Among other scripts ready to write, as it were, I have a contemporary Lovecraftian story that recalls Shadow Over Innsmouth... sorta. Almost not at all -- but enough. I'd just be interested to hear some general things you want to do with yours.
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