So you're going to write a super-song that includes all those elements?
I think one of my first moments at actual critical analysis was when I sat down in 9th grade and tried to figure out the recipe for U2 songs (in order to then write a series of embarrassingly shameless ripoffs). I think the first thing on the list was "Biblical references." I remember thinking, "hey, yeah, that's definitely going on a lot. Weird."
I noticed that setting things on fire is a recurring theme in most of the lyrics I've written in my life, actually, which is what ended up prompting this line of thinking.
also, I did the same thing you describe, but with Nine Inch Nails lyrics, at one point. I think I have a tape somewhere of the results, but I am hoping that is not the case. and that I will never again have to endure the consequences of my realization that "well, pretty much, every song is how Trent expects something to be good but it turns out to be shitty."
Yes! "I thought X, but Y" is the key NIN structure. For the first albums, it was "I thought you X, but Y." Then in the Downward Spiral it started to become more like "I thought I X, but Y." And now it's something more like "I thought the world/record industry X, but Y."
I am not sure that you are familiar with one of my favorite Susanne Vega songs, which starts:
"watch while the queen in one false move turns herself into a pawn Sleepy and shaken, and watching while the blurry night Turns into a very clear dawn."
I've been listening to the original Prick album a lot lately. I think "Crack" is the only song on the entire album that I don't love. but, yeah, both "Make Believe" and "No Fair Fights" can make me tremble like nobody's business.
the self-titled album is produced marvelously (I love those subtle touches like the backing guitars in "I Got It Bad" and the gentle atmospherics in "Make Believe") but his four-tracked stuff somehow captures this immediacy that should be impossible in the light of all the triple- and quadruple-entendres he's sprinkling all over the place.
Comments 22
I think one of my first moments at actual critical analysis was when I sat down in 9th grade and tried to figure out the recipe for U2 songs (in order to then write a series of embarrassingly shameless ripoffs). I think the first thing on the list was "Biblical references." I remember thinking, "hey, yeah, that's definitely going on a lot. Weird."
Reply
also, I did the same thing you describe, but with Nine Inch Nails lyrics, at one point. I think I have a tape somewhere of the results, but I am hoping that is not the case. and that I will never again have to endure the consequences of my realization that "well, pretty much, every song is how Trent expects something to be good but it turns out to be shitty."
Reply
Reply
Reply
Reply
Reply
"watch while the queen in one false move
turns herself into a pawn
Sleepy and shaken, and watching while the blurry night
Turns into a very clear dawn."
Reply
Reply
(The comment has been removed)
I've been listening to the original Prick album a lot lately. I think "Crack" is the only song on the entire album that I don't love. but, yeah, both "Make Believe" and "No Fair Fights" can make me tremble like nobody's business.
Reply
(The comment has been removed)
the self-titled album is produced marvelously (I love those subtle touches like the backing guitars in "I Got It Bad" and the gentle atmospherics in "Make Believe") but his four-tracked stuff somehow captures this immediacy that should be impossible in the light of all the triple- and quadruple-entendres he's sprinkling all over the place.
Reply
ditch the scene and watch the city burn...
- She's My Ride Home, Blue October
Reply
this place is always such a mess.
sometimes I think I'd like to watch it burn.
Reply
Leave a comment