[The young boy peering at the watch is dressed in clothes that don't fit him at all properly, very much looking the part of a nameless, filthy street urchin in a dirty white t-shirt that is obviously several sizes too large and dingy pants with the cuffs rolled up several times. Still, they serve their purpose well enough
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She peers worriedly into the camera for a moment - his voice had been so very soft - and then finally speaks. ]
The path back is not open, sweetrobin, [ Sansa says. Sweetrobin was what they called her cousin, the son of Lysa Arryn. This boy does not seem frail the way that sickly Robert was, but it is as good a name as any for a little boy, especially one whose face endears him so quickly to her. ] Nor is it clear to us.
-not yet.
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[Before long, he catches sight of a pretty woman on the watch, and gives one slow blink before following it up with a second just for good measure.]
[It then strikes him that she might be speaking to him, since she's on his watch--though he's never seen one do that before--and he leans close in an attempt to better recognize her.]
[Unfortunately, he does not, and that almost stops him from responding, but...]
...I'm not Robin.
[It would be polite to let her know. She might grow upset with him for continuing to pretend to be someone else if she's mistaken his identity.]
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Not Robin but robin, [ she says and hazards a small, forgiving smile. ] Not the name, but the bird. You are a boy, yes, but robins are small and feathered brown and red. So too are you small, and though lacking feathers, you hair is as brown as warm wood.
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[The thought of being called a kind of bird is strange, and he doesn't really know why anyone would want to think of him that way, but it's... pleasant, somehow. She could have said that he was any number of horrible things, or worse, chosen to avoid speaking to him at all, but she didn't. It's odd, but he decides that it means a conversation with her might turn into something nice.]
[Not that he's the best when it comes to talking with others.]
Birds are nice.
[Were he any other child, he would be fidgeting while he gathers his thoughts. Instead, he spends a few silent moments just staring at her before furrowing his brows just a bit.]
...I don't know what you are.
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[Initially, he waffles between replying out of a need for comfort and staying silent in case the people on this watch are wicked and have bought him from the mercenaries while he was asleep, but his desire to figure out his situation wins out in the end. He can hide out after that, if he needs to.]
...Remus, [he parrots, turning the word over in his head. No, it's nobody he knows. But if this Remus person doesn't know where they are either, then he probably can't be someone dangerous ( ... )
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Where?
[The boy stops to look back over his shoulder. He was fairly sure he didn't see anyone else in his wagon earlier, but this Remus person had said there were, and--oh. They were probably... where-ever the people he could see on the watch were.]
[How many of them were there? How far away were they? Was everyone in the wagons kidnapped this way?]
But... the cows.
[They go where they want to go, and he isn't strong enough to use force to make them move. How is he supposed to find the others?]
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Not forever, but unfortunately we aren't going anywhere but Oregon right now. Are you all alone?
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[And this is the second person who's mentioned Oregon--meaning that he'll trust Remus and Blue to be telling him the truth about where they're all going, for now. That is, unless he finds out that they're working together to lie to him. Which is a possibility, of course, but he's still not in any immediate danger for now and so will believe that they aren't.]
[He gives Blue a slow nod as his answer.]
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Still, the boy's wary, and as much as Blues wants to help him, there'd be no use in terrifying the boy by just running out.]
Would it be all right if I came to keep you company?
[It's a neutral way of phrasing -- Blues hopes that making it sound like a request for himself rather than outright wanting to protect the little boy will keep from wounding any pride he may have, or making him feel uneasy.]
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[Perhaps it's Blues' lucky day. By confirming what someone else had said regarding their destination, he'd accidentally given enough reason for the boy to trust him a little bit. That was enough, for now, and at any rate, if Blues turned out to be horrible, he could still make an escape. True, he would no longer have guaranteed shelter and transport, but he never had them before now anyway. A return to what he considered normal was not the worst thing that could happen ( ... )
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...Are you alright? Can you see our wagons?
It's too cold to be wandering around on your own.
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[He won't argue the fact that it's cold--and it is--or point out that he's wandered around on his own for pretty much his entire life. There'd be no point in that kind of behavior. Instead, he chooses to focus on her questions, figuring that they're more important at the moment.]
[Even if he does exercise caution when speaking.]
...I see some wagons.
[He's not about to claim that they do or do not belong to anyone. She might be trying to see if she can take them, after all.]
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How do you know?
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