Mulholland Drive is an interesting movie. It lures the viewer in with
the notion of a great lesbian scene with Naomi Watts - if I did a top
ten sex scene's list, that would be number one - and mindfucks them so
they don't even know what the hell they just watched was about. Yet,
early on it has some truly stellar scene's which work well as short
films in a way.
The first of these "short films" within the main film is the telling of
a dream story. Two characters sit in the diner. One retells a dream,
which reveals why they are at the diner. His dream was nasty, and he
wants to put his mind to rest. His friend is a little skeptical. The
dream - there's a man who lives behind the diner that has the worst
face ever to be scene. He's causing a lot of trouble apparently, and
the man who had the dream wants to put it all to rest by seeing that
there is no man. It's obvious what is going to happen. The scene
unfolds quite nicely with the tension building.
And then the man comes out from behind the wall.
With this list, you'll notice quite a few children's films in it. Not
only are children's films filled with moments of terror, the logic
behind the placement of this terror is unfathomable. Why the hell would
you scare a kid using a film?
Anyhow, the rather enjoyable and quite perfect film
Who Framed Roger
Rabbit features a few moments of terror - later in the film when the
taxi runs into The Dip and his wheels are burnt is a good example.
Early on in the film, at the scene of a death of a man, we witness the
carnage that is Doom - Christopher Lloyd. An innocent cartoon shoe
schmoo's up to Doom, to show the great detective Valiant - Bob Hoskins
- how to kill a toon. He whips open the lid of The Dip, grabs the shoe,
and plunges him to his inky death. Note: Check out the terror captured
in the shoe's face.