I haven't bothered linking to any of it til now, since I assumed that if you were interested, you'd already be following it, but the debate about race, class, and bohemia in indie rock that started with
Sasha Frere Jones' piece for the New Yorker (and really took off with
Carl Wilson's response piece for Slate) just keeps getting better
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I think what actually put a fine point on it all for me was this passage (from The Dictionary of Critical Theory, of all places):
"reification: From the Latin res ('thing') and facere ('to make'); to make a thing, or to make into a thing . . . According to Lukacs, the nature of a modern capitalist society is such that commodity fetishism extends to all fields of human activity, including consciousness itself. As labour and the commodities in which it is embodied take on an illusory autonomy, human activity becomes passive or contemplative in the face of the apparently autonomous exchange of commodities that appear to have been divorced from the social relations in which they are produced. The only form of consciousness that can escape and transcend reification is the active collective consciousness that is embodied in the ( ... )
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