I've been waiting to post on Dollhouse because, like quite a few, I really didn't think much of the first episodes. Then 'Man on the Street' hit and the mythology rolled out, and I became invested. Still endings (even if only the temporary ones of season endings) help me decided about a story's overall success. [Spoilers below cut.]
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Dollhouse )
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Seriously, this makes me think about the cylons... so much. I have plotty things in my head related to that notion.
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It makes me think about the fact that we might never need to make androids at all - just wipe a poor person. (Eek!)
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Go Dollhouse! Go Josh Whedon! ;o)
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Overall, I'd say now I want to have another season even more. I know it wouldn't answer all the questions, but some it might. Like who is Madeleine (and did I catch the name right?)...
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I actually liked Eliza playing the empty-headed real-life doll
For me, it's not that she's bad, but when everyone around her is amazing, her acting being only 'okay' really stands out as not good.
I wonder if they're going to keep Madeliene/November/Mellie around at all next year.
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I totally agree with you. Like you mentioned earlier, she is good with the sexual undercurrent. It is a pity, but on the other hand, when sexuality is involved in any way, she is great I think.
Fortunately, I watched the show not because of Elisa, but because of Josh and I got what I wanted, so that makes me quite satisfied overall.
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Still, 'he was always an evil man' seems a cop out.
Yes and no. It seems to come back to there being some fundamentals of a person's nature that you just can't erase or overwrite. With Echo, we've seen several times how bits of Caroline's knight-errant-ish personality showed up in different situations, for an opposite example.
I'm not completely in love with the soul thing, but then it's been in the tag line from the get go, so I will have to accept it. Well, that's a theme Joss has always loved to play with. What is a soul? What does it mean to have one or lose it? And here, can it be erased, modified, or replaced? I tend towards the, "It's way more than anything you could ever trace to neurons and neurotransmitters" end of the spectrum, which is where I think the show ( ... )
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Yes and no. It seems to come back to there being some fundamentals of a person's nature that you just can't erase or overwrite. With Echo, we've seen several times how bits of Caroline's knight-errant-ish personality showed up in different situations, for an opposite example.
Yeah - I'm conflicted. As I say above, I get the trace of core personhood left even after being wiped. I suppose it's Ballard's extreme insistence that it is all because of his original personality that gets me. Part of it has to be because of what the Dollhouse did to him as well, and even though they showed that, they also undercut it too much.
I'm not saying I see the soul as only hard-wired pathways in the brain, but I think brain structure is part of what makes us individuals.
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Pre-Dollhouse Whiskey is Topher's buddy, and, not coincidentally, the person he programmed Sierra to be on his birthday. Topher, being all hubris and brains, convinced his buddy of the awesomeness of the Dollhouse, and she signed up to be a doll because she was confident in his abilities. So when Alpha went all Picasso on her face, he felt horribly, awfully responsible. He couldn't just return her to herself, because she'd be disfigured and rightfully angry with him, so he's choosing to delay the inevitable by having her replace Dr. Saunders, who was totally George Frankly on Square One TV's "Mathnet." He programmed the Topher-hate so she would avoid him and he wouldn't have a constant reminder of the limits of his skills.
Mr. 42 says, "I TOTALLY don't buy that they couldn't heal Whiskey's scars better than that." I say "A wizard did it."
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And I've been thinking all along: "The Dollhouse is a megarich company that can't afford cosmetic surgery? Really?"
I wonder if Topher programmed into her not to want it so that she'd stay as Dr. Saunders, which he saw as 'safer' for her than going out on engagements. His sense of friend-protectiveness kicked in late.
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