"I have something up my sleeve," is how I would like to start this post, except that whatever is up my sleeve won't get out.
If you've read THTH, you'll understand that the style of that piece - however it may be defined - is that with which I am most comfortable, as it naturally reflects the workings of my mind (i.e. emotional ramblings). The words
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Hmmmmm ... I almost never know where I'm going when I start writing. Or I think I do, but then I am toward the end and the destination is a few feet or a few miles from where I intended.
What does help me sometimes is to not think about the words and just let myself vomit some ramblings on the page, if you will. When I read it back, I find all kinds of crazy -- bouncing back and forth between three different tenses, characters saying things they would think but absolutely never say, hair changing color. But I often find that I got the emotional part right, and that's the most important part. I can keep that framework and edit the rest to make the scene work.
Have you read Natalie Goldberg's Writing Down the Bones? I find it very helpful for when I hit these roadblocks. There are pluses and minuses to her approach, but I find it is very helpful for cases like these.
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