Isaac likes white, clean light. Not just to paint and sketch--though that is a large part of it--but because he feels like he can be in it again. Granted, it's a secure facility, he can't leave, there's no saying when he'll be allowed to leave. And if he can't manage to have a vision clean, he doesn't know what They'll do to him. He likes Eden
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She smiles at him ("You're going to shoot up and paint") a smile which is there because Eden is a polite young woman.
"You're sketching," she comments.
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"I am," Isaac agrees, noticing the little details, the slope of her shoulders in the open neck of the shirt, the contrast between the color of the fabric and her skin. Maybe he'll sketch her later. He can't draw what will be. Maybe he'll draw what was, instead.
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Her smile grows a bit warmer in response as she moves into the room, giving the paintings a glance, they're still fascinating for all that she's stared at them before, as she goes to sit near him on the bed.
"And you're sober."
(No thanks to her.)
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And they do. He clawed at them for a while, he's pretty sure that was real. His nails still look ragged and torn from the effort to get out, get to one more hit, something, anything. If he thinks about it too long, his blood starts to itch again.
So he doesn't.
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