The question first: Would you ever write yourself into a story? Have you already done so? Which would be more important for you- creating your personality or creating your appearance? How would you change it?
I'm kinda asking because of a thread by... I think it's Osprey Archer, on appearance vs. skills.
Well, I've just returned from another
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I actually have written myself into a story, but it doesn't quite provide an answer for your question because the story was for (and about) my friends, so I didn't include almost any physical description because we all knew what we looked like. And I had to keep us reasonably in character so no one would get irritated.
I did give myself the incredible ability to jump in and out of an alternative reality, though.
But I think for self-insertion stories more generally, when people are writing for an audience that won't know if they're exaggerating, writers tend to give themselves the whole enchilada. Brains, beauty, magic powers, a telepathic unicorn, and a love interest who leaves Mr. Darcy in the dust. Fascinatingly tragic past. Etc.
Your conductor sounds brilliant. He reminds me of my government professor.
When are you going to Hungary?
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The Conductor is amazing, although he's quite intimidating. There are over 100 people in the orchestra, and he's the undisputed LEADER! And he does tend to go from sarcastic comments to explosive anger/firing people remarkably quickly :P
We're going in a couple of weeks. We have a residential practice session for three days, and then we leave. :)
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Of course, this was before he got really annoyed... the German or Italian word for Bassoon is "faggot", and whenever he was annoyed with them he would stop the entire orchestra by screaming "FAGGOTS!" across the room. **sigh**
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The only things I've read by Steven King are Misery and On Writing, which I liked, but not enough to read anything else. But it makes me sad that he wrote himself into a book in such an egomaniacal kind of way.
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Your orchestra sounds like fun. I played in orchestras before I went to Uni (very, very badly), but direction in a 70 piece brass band consists of "Piano...that means quietly!"
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The problem is that when brass players try to do that in orchestras, the strings are between them and the audience. Makes for some interesting concerts!
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Oh, conductors. That's all I have to say. *cringes and flees*
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Between the castles and the conductor quotes, this post was a lot of fun to read. :)
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Apart from any sarcasm. That's all me.
Thanks- I thought someone might find the castle interesting! :)
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