storylines.
The King. The yin to her yang, the cream to her custard, the pudding on her pie. The King is Anne's other half in every way imaginable; the complement each other and live in a strange sort of co-dependent existence: Anne requires him as an outlet for her motherly concern and affection, and he leans on her for emotional and financial stability. They have their ups and downs, but in the end, Anne knows full well she simply cannot exist comfortably without him. Whether that's a good thing or bad is yet to be seen.
The Imperial Lilies. Her pawns, her children. Anne is inherently maternal, and though she isn't particularly invested in any of her "children," she has a tendency to gather them to her all the same. These are those she's given special attention; should they need her, she'll be right there with a word of advice and a cup of perfectly prepared tea.
The Red Queen. To say they don't get along wouldn't be quite accurate, but the Red Queen brings out the negative traits in Anne: sniping, biting remarks, callous disregard for others' feelings, and an obscene level of pomposity, to name a few. Still, Anne cannot quite squash them entirely, and often leaves their brief (although inexplicably numerous) encounters with her tail bristling and claws still bared.
The Alice. Generally regarded with a sort of withering concern, The Alice is not quite one of Anne's Lilies, but still garners her motherly attention nonetheless. Precocious and smart in her own way, The Alice is not quite as keen to the ways of the world (and more importantly, to proper society) that civilized people might prefer, and Anne has made it a bit of a mission to inform her just where she needs social improvement. Despite the rampant patronization and often meddlesome interactions on Anne's part, there's still a definite sort of affection there. Sort of.