[The screen, grainy black, white and sepia, shows a tiny garret room. Bare floorboards, a music stand, a bed and, on the floor, one Robert Chase tending to a broken violin.]
Of course, choose now to wear through. Now. I haven't the money for bread, and I'm wasting centimes on strings. [He releases the snapped catgut cord from the violin's
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I'm trouble free.
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Angela, if only to not stifle you.
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...That was beautiful.
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Thank you. It was tolerable.
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A lot of people would hear the difference. [Pause.] You don't have the money for anything to eat?
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[quiet, for a moment.]
I exaggerate, Mlle. Bennet. I have means, and only live slightly beyond them.
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[There is noise in the background, a door opening and voices flooding in, then it's quiet again.]
I would hear the difference. Do you think I would just smile and nod in the right places, that I would pretend?
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[He listens, and considers, keeping his own voice quiet without knowing where she is.]
If I called you too naïve for that kind of culture, would you take offense? I wouldn't mean it badly.
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