I lurked at TWOP when I was watching Season 4 as it aired. One of the memorable things that I read on those forums was this day-after-reaction to this episode from a poster. I paraphrase: The episode started as a screwball comedy and evolved to a "Whodunit" mystery and finished as a Shakespearean drama. Yup, that's (
Life on Mars )
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I do like Joe's character and I like the way he figures it out. And, as you point out- the two mistakes make him look less than perfect for figuring it out.
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if Sorkin intended on her having that history with Hoynes, he would have written some tell into her response to Hoynes's philandering here.Well, there's CJ's expression in the scene in Hoynes's office in this ep - imo, she looks like she wants to cry, and sounds like it too. It doesn't prove anything except that maybe she feels sorry for him, which in itself is surprising given the antagonism between them every ( ... )
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Thanks.
Well, there's CJ's expression in the scene in Hoynes's office in this ep - imo, she looks like she wants to cry, and sounds like it too. It doesn't prove anything except that maybe she feels sorry for him, which in itself is surprising given the antagonism between them every time they interacted in previous episodes except in Stirred.
I think it's a very sobering thing for CJ to watch a giant political ( ... )
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