PROLOGUE.If asked to point out the precise moment at which everything spun completely out of control, I would say it was when I inadvertently killed an innocent fifty-eight-year-old man by showing him a short film
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It's good to hear from you again, by the way - I'm sorry you're feeling homesick. I happen to think Dutch is a pretty language for reasons I am unable to convey.
Thanks. I still need to send you that story I promised. But at the time I promised it I didn't realize that the nurse in question would react to my breaking up with her by relapsing into a former heroin addiction, which kind of pushed the story in a direction that would require me to be a far better writer than I am in order to do justice to it. But she's okay now, so I should really send you that story.
I have also given up on the idea of resisting alcohol for the sake of savoring my homesickness in purity, so if nothing I just wrote made sense then you know why.
Reading it, I thought of the prologue to someone's memoirs, like the memoirs of a Monica Lewinsky who had 15 minutes of fame and immediately sold the book rights. Such is your narrator, it seems.
I'm thinking of including a faux-wraparound foreword indicating that this text was mailed to someone at a paper somewhere by the narrator from a mailbox several states over, just so the world would know what happened. Or something? I'll figure that out later. Ultimately I am pleased with the notion that the only thing about it all that still bothers him is that there was one guy he didn't mean to die.
It strikes me as overwritten, adjectives and repetition everywhere. Maybe the guy is like that, but then you end up with a book written like that.
Quick point - how does a moral stand "shamble"? The point of a "stand" is that it doesn't move. It doesn't work as a metaphor; shambling is not a failure to stand, it's a failure to walk steadily.
The first point will take a while to fix but you're right. You're also right about the second, and I am going to fix that. Thank you, I probably wouldn't have noticed that.
First person is weird, especially when it's presented as an actual document by the narrator. Whenever I notice anything about the prose, I'm left wondering whether it was intended by the narrator or the author
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Brother Speed is right on several of his points here. I am inclined to add that a truly great writer can accomplish more with less words. Florid prose can be difficult (and sometimes annoying) to read and really comprehend.
That being said, I think you're headed in a good direction here - it's a nice start and I enjoyed reading it. Keep writing, and do it every single day. You will continue to improve.
p.s. why don't you ever talk to me on the computer machine anymore
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It's good to hear from you again, by the way - I'm sorry you're feeling homesick. I happen to think Dutch is a pretty language for reasons I am unable to convey.
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I have also given up on the idea of resisting alcohol for the sake of savoring my homesickness in purity, so if nothing I just wrote made sense then you know why.
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To know what is coming here is terrifying.
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(Unless you actually did kill a guy with a film in which case sorry/it's not your fault/can I see the film etc.)
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Quick point - how does a moral stand "shamble"? The point of a "stand" is that it doesn't move. It doesn't work as a metaphor; shambling is not a failure to stand, it's a failure to walk steadily.
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That being said, I think you're headed in a good direction here - it's a nice start and I enjoyed reading it. Keep writing, and do it every single day. You will continue to improve.
p.s. why don't you ever talk to me on the computer machine anymore
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