personally enthralling brainsplosion- not intended as a half-assed abstract...
I think I want to write a comparative ethnography of Argentine tango at its inception and Wiemar Cabaret. Specifically, I am interested in these moments as genealogical precursors to the contemporary queer tango underground in Buenos Aires, it's related techno scene, and post-Cold War Berlin electronic music culture. I want to examine these
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can, should, must. if only so i can read it. (this is emmala's sibling, incidentally)
and, hell,
if dj ripley can be doing lawschool research on creative reuse in the transition to a copyright regime - i.e. how jamaican djs, musicians, and dancers think about ownership of cultural work...
if wayne can get major mileage out of kick-ass thinking about 'global ghettotech' and whether it makes sense to think about a track as post-reggaeton...
if, well, this...
then you've got nothing to worry about.
and you might want to look at these:
http://www.hemisphericinstitute.org/cuaderno/wefkvletuyin/fanzine_eng.htm
http://hemi.nyu.edu/bb/phpBB3/viewtopic.php?f=55&t=1547&start=0
from friends of mine in bariloche, who've been focusing lately on the ways that masculinity operates in their indigena-punk/metal world, from a very queer angle...
'tain't tango at all. but if argentina's an interest, these folks should be interesting to you...
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