A lone figure walks slowly across the grounds of Hyrule Castle, finally stopping near the inner gate and taking a seat on a rock, setting his pack beside him. He's seen buildings before; he's even seen stone ones -- though the stone structures he's more familiar with are less made of stone and more carved from stone. Gorons live in their caves,
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Comments 36
You have traveled far.
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"I have. I've traveled quite far indeed."
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Through even time?
[His head cocks to the side as he eyes the man suspiciously. A grin forms on the corners of his crooked mouth.]
[ooc!: I was just wondering if Lucien was mentioned in the game or manga(or perhaps both)? Also, I am such a n00b at RPing, this being my first thread.]
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"No, I've never traveled through time. Or if I have, no one has told me." He watches the boy for a moment. "Are you lost?"
[ooc: Ah, well... Lucien is my idea of what the Fierce Deity would be like before he became the god. So, he's not really in the manga/game as I'm playing him. XD; I can try to answer questions if you have any, though. And welcome aboard. :3]
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What, the castle?
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"So this is a castle? What use could something so massive and heavy possibly have?" He pauses, looking over the young man. "Do you live here?"
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The words cause him to blink in surprise, looking back to the castle and down again. After a moment's consideration he quietly pulls out a stick of charcoal and a slip of paper from beneath his wrist guard. A quick note later and he folds the paper into a small glider, sending it cruising down below.
'Hyrule Castle was built to hold and protect the rulers and royal family of this land.
I would respectfully dissuade your entering now, as many monsters have taken residence in the absence of guards.'
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He turns around, looking for any sign of a person.
"I know you're there, whoever you are. Are you friend or foe?"
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Calling for his lyre, he plays a soft arpeggio in what he hopes is a peaceful greeting before standing and walking to the edge of the gate in the other's line of view. He drops a half-bow, but waits for a reaction before moving farther.
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He turns towards the music, finally seeing the other person. It isn't much help; he can't tell if the other poses a threat or not. Still, there is at least the fact that he isn't being attacked. There's the note as well; someone who meant him ill would hardly send him a message.
He takes a step towards the gate, spreading his arms wide, palms facing the sky, to show that he isn't armed.
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